Ici je legue ce qui ne m'appartient plus.

Drawing on family archives and personal anecdotes, Habib Ben Tanfous makes his body the epicentre of an intimate and playful exploration into the ambivalence of inheritance. What should we do with what has been left to us, but does not belong to us? What do we pass on to others?
Surrounded by the music and voices that populate his past and present, Habib Ben Tanfous creates a striking solo about the tug-of-war, grief and joys that accompany the development of a life of one’s own..

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Fatigue

Mood swings, slowed reflexes, dizziness: the various physical and psychological symptoms of burnout infiltrate unnoticed into everyday life. In a climate where work gives meaning to existence: what can an artist do? Nonstop production and the accumulation of projects are seen as key to our success, despite driving us towards burnout.

In this solo, Viktor Szeri builds a choreography on fatigue, on wanting nothing. He explores the limits and tolerance of his own body through the filter of burnout, while also experimenting with how the audience relates to this sedated vision.

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Why things go wrong.

Sylva Šafková’s choreography, Why things go wrong, revolves around the theme of the (im)moral, ethically challenging nature of human behaviour, which too often affects the lives of everyone around them.

Inspired by Aron James’ book Assholes: A Theory, Šafková brings up a common experience: a situation where everything was going right until it all went wrong. Sometimes, it is just a coincidence, but a specific culprit can often be identified. The performance addresses the evil that such people inflict.

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